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She and her husband bought him his first guitar when he was 6. “It was immediate,” she says. “He could play right away. It gave him confidence, in the immediate, and I think long term it helps him in every aspect of his life.” She remembers her own childhood in working-class Boston. “I know exactly what he could be out doing,” Martin says. “That enters my mind. We are so lucky to have found School of Rock. He’s there Thursday, Friday and Saturday every week, all year.” Rush’s prog-metal is not for beginners, with its time shifts and reggae twist. “They’ve never played this before,” Pessia says, turning to whisper in awe.

For the original version including any supplementary images or video, visit https://www.washingtonpost.com/graphics/2017/lifestyle/the-slow-secret-death-of-the-electric-guitar/

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The death of the electric guitar - Washington Post

Eventually, he says, the acquisition will be recognized as the right decision. “Everything we do is about music,” Juszkiewicz says. “It doesn’t matter whether it’s the making of music with instruments or the listening of music with a player. To me, we’re a music company. That’s what I want to be. And I want to be number one. And, you know, nobody else seems to be applying for the job right now.” If there is a singular question in the guitar industry, it’s no different from what drives Apple. How do you get the product into a teenager’s hands? And once it’s there, how do you get them to fall in love with it?

For the original version including any supplementary images or video, visit https://www.washingtonpost.com/graphics/2017/lifestyle/the-slow-secret-death-of-the-electric-guitar/